Skip to main content

24; Time travel in Tamil film industry

I have seen several takes on time travel in short stories, novels, films and anime, but 24 is different from all those.  Usually, the central theme is the adverse effects of changing the past.  Given the dearth of science fiction films in India, I was happy to see the 2015 Tamil film Indru netru naalai, which did a decent job in portraying this theme.  24 does not deal with such deep moral or philosophical questions, but their take on time travel was very interesting.

According to the film, when you travel in time you go into your body at that time.  So, there will never be two instances of the same person, unlike many other portrayals of time travel.  Basically, only the memories are different.  In some sense, this is similar to time travel stories where you can only send messages to the past of future.  If you are interested in this theme, I highly recommend the anime Stien's gate.

This mode of time travel limits the extent to which you can travel in time, namely, you should be alive at that time.  What happens if you travel to a time before you were born?  What happens if you travel to a time after your death?  These are some natural questions and the movie offers no answers.  The movie just uses the device to tell an above average story.

24 is also a movie about extreme coincidences.  The coincidences in the film are even more unbelievable than time travel.  This is another sense in which the film is a science fiction or should I say, probability fiction!  The eagle is the hero of this probability fiction - sorry, you have to watch the film to get that.

The comedy in the film is fine, but could have been much better.  This is an aspect in which I think Indru netru naalai did much better.  The romance in 24 is boring, the cliche of hero tricking the heroine into loving him.            

Overall, 24 is an above average film and worth a watch.  While you are at it watch Indru netru naalai as well, I enjoyed that film even more.

By Source (WP:NFCC#4), Fair use, https://en.wikipedia.org/w/index.php?curid=50244045


Comments

Popular posts from this blog

Kettiyollaanu Ente Maalakha

Kettiyollaanu Ente Maalakha is the story of Sleevachan (Asif Ali), a good-natured individual ignorant of the ways of romance and sex.  Although he had avoided marriage until 35, he decides to marry to care for his ageing mother.  The rest of the movie is about his struggles in the journey forward. I would like to get a bit into the story as some of it begs discussion.  Thus, there will be some spoilers, but I believe they would not really spoil anything. Soon after fixing the marriage, he starts panicking.  He even confesses to the local priest that he is feeling stressed because of his ignorance.  However, the priest casually dismisses these worries.  After marrying Rincy, he is unable to initiate a physical relationship, causing even more stress.  Sleevachan's struggles were cracking up people all around me, and I felt, perhaps that was the director's intention.  Those very same scenes were, however, making me extremely uncomfortable.  Stealing Naruto's words, &quo

Naruto; the saddest death

For me, the saddest death in Naruto, is undoubtedly, Yashamaru's death. Let me say a few words about why I think so. For me death by itself is not sad. I would in fact say that death is a blessing for the one who is dying. It is sad for those who are left behind. From that perspective I think Yashamaru's death is the saddest. Yashamaru was the only comforting figure in the life of Gaara. The moment it is revealed that the assassin who tried to kill him was that same Yashamaru was heart breaking. The way Gaara cries "Yashamaru.." still resonates in my mind. Loneliness is one of the central themes of the anime. And, that scene captures it so magnificently. One of the most touching moments in the anime. There are several other deaths for which I shed a lot of tears. Like the deaths of Haku or Zabuza or Jiraiya or Obito. But they truly shine through their deaths. As Jiraiya himself says "The true measure of a shinobi is not how he lives but how h

Kumbalangi nights

I was not impressed by Kumbalangi nights.  I don't mean to say it is a bad film.  It is certainly worth watching.  The cinematography is extraordinary.  Also, it has its moments - nice little dialogues.  But with all that, it is just an average film, or so I feel.  As I had explained in a post before , people expect explanations when you express dislike.  Actually, I wouldn't say I dislike, but I did not like it as much as others - the people I talked to.  And, in this case, I think I understand some of the reasons.  And I will be sharing those reasons with you. What do you feel when you hear someone saying "These impoverished people are so lucky.  Wish I had a skinny body like them"?  Movies like Kumbalangi nights elicit the same emotion in me.  The major problem poor people face is lack of money.  If you make a movie on the poor and completely take money out of the equation, that makes no sense.  Kumbalangi nights does precisely that.  Not even once had they show