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Making sense of heroic acts in South Indian films

It is not uncommon to hear criticisms of unrealistic feats accomplished by heroes in South Indian films.  People are offended by the disregard to physical laws exhibited in these movies.  More often than not, the victims of these criticisms are Telugu films.  In this post, I attempt to explain, how to make sense of (or how I see) these unrealistic, physics-defying acts.  Hopefully, at least some of you would be able to better appreciate these films after reading this article. Say, for example, we are watching a Superman movie and you see Superman flying.  Does that bother you? If yes, you can stop reading right now.  This article is most probably not for you.  If not, why?  I guess it is because the storyteller has given an "explanation".  Notice that this explanation need not be there in this movie.  Someone watching Superman is expected to know that.  Now, let us come to a South Indian film.  In contrast, it appears...

Naanu avanalla...avalu (Kannada)

Naanu avanalla...avalu is a film about struggles of a transgender based on the life of Living smile Vidya.  The film is made really well and raises many important questions.  It is a cry to not discriminate those who are different from us -  at the very least treat them more kindly. Madesha (the protagonist) exhibits girly behaviour from childhood and is attracted by clothes "meant for" girls.  He believes he is a female trapped in a male's body.  When I saw this I was haunted by many questions - especially because this is based on real experience.  Is there really something called feminine dressing?  Is there something really called feminine?  What about all the people who attribute gender differences to social conditioning?  As asked by a person in the film - what does it mean to be female(trapped in a male's body)?  Note that, this is different from being a homosexual, which is much easier to understand. What I liked the most in ...