Skip to main content

Inheritance and Revenge


Revenge is a common theme in movies, books or any other form of storytelling but, most do not give a justification to the act.  They either take it to be the natural course of action or condemn it.  The fact that some condemn it, means there is scope for a discussion.  I think most people would have an issue with revenge when it is exacted not on the perpetrator, but on someone related to the perpetrator.  In the 2010 Telugu movie "Maryada Ramanna", which was later remade into Hindi as "Son of Sardar" and Malayalam as "Maryadaraman", they pose a question which can be translated as "If a son can get the property earned by one's father why cannot he receive punishments for his father's action?"   The surprising thing is, even after thinking for quite some while, I was unable to find a satisfactory answer.

Apparently, this stance is inspired by our scriptures.  In the 35th shlokam of the 64th chapter in the 10th skandham of Srimad Bhagavatham, Bhagavan says

brahma-svaḿ duranujñātaḿ
bhuktaḿ hanti tri-pūruṣam
prasahya tu balād bhuktaḿ
daśa pūrvān daśāparān

Which can be translated as "If a person enjoys a brāhmaṇa's property without receiving due permission, that property destroys three generations of his family. But if he takes it by force or gets the government or other outsiders to help him usurp it, then ten generations of his ancestors and ten generations of his descendants are all destroyed." (Courtesy http://vedabase.net/sb/10/64/35/en).

In short, it is said that one will reap the bad effects of his ancestors' wrongful acts.  Do not be dejected there is hope of redemption.  In the famous story of Prahladan, seven generations of predecessors and descendants were given moksham because of his actions.  So one can redeem not just himself but his predecessors and his descendants.

This being the case, I do not feel this is a valid justification for revenge.  It does not appeal to me that one should be condemned for someone else's misdeeds.  At the same time, I see the double standards in the eagerness to inherit property, but the unwillingness to inherit liabilities or responsibilities.  Maybe we can turn the statement around and see it more as a critic of inheritance than a justification of revenge, which I find extremely valid.

On the other hand, I find it extremely noble if a son takes responsibility for his father's misdeeds and tries to rectify them.  Such a person is undoubtedly entitled to his father's property.  This is the plot of the 2004 Malayalam movie Natturajavu and to some extent the basis of medieval morality.


Comments

Popular posts from this blog

Naruto; the saddest death

For me, the saddest death in Naruto, is undoubtedly, Yashamaru's death. Let me say a few words about why I think so. For me death by itself is not sad. I would in fact say that death is a blessing for the one who is dying. It is sad for those who are left behind. From that perspective I think Yashamaru's death is the saddest. Yashamaru was the only comforting figure in the life of Gaara. The moment it is revealed that the assassin who tried to kill him was that same Yashamaru was heart breaking. The way Gaara cries "Yashamaru.." still resonates in my mind. Loneliness is one of the central themes of the anime. And, that scene captures it so magnificently. One of the most touching moments in the anime. There are several other deaths for which I shed a lot of tears. Like the deaths of Haku or Zabuza or Jiraiya or Obito. But they truly shine through their deaths. As Jiraiya himself says "The true measure of a shinobi is not how he lives but how h

The Good Place

The good place is a great entertainer - especially the first season. The climax of the first season was the highest point for me. Things did start going downhill (in my personal opinion) but the show managed to keep me hooked till the end. I certainly wanted to know how the show ends. However, I have some beef with the basic premise of the show - it is either flawed or they took the easy route. To discuss these issues, I will, unfortunately, have to divulge the intricate details of the show. So, needless to say, this post is full of spoilers . So, if you plan to watch the show, it would be better if you read this article after you finish watching the show. Else, the article might give a neat summary of the interesting ideas in the show. The basic premise of the show is that the criteria for deciding who goes to the good place are flawed. The main justification for the claim comes from two observations: For the last 500 years, no one has been to the good place (think heaven

Kettiyollaanu Ente Maalakha

Kettiyollaanu Ente Maalakha is the story of Sleevachan (Asif Ali), a good-natured individual ignorant of the ways of romance and sex.  Although he had avoided marriage until 35, he decides to marry to care for his ageing mother.  The rest of the movie is about his struggles in the journey forward. I would like to get a bit into the story as some of it begs discussion.  Thus, there will be some spoilers, but I believe they would not really spoil anything. Soon after fixing the marriage, he starts panicking.  He even confesses to the local priest that he is feeling stressed because of his ignorance.  However, the priest casually dismisses these worries.  After marrying Rincy, he is unable to initiate a physical relationship, causing even more stress.  Sleevachan's struggles were cracking up people all around me, and I felt, perhaps that was the director's intention.  Those very same scenes were, however, making me extremely uncomfortable.  Stealing Naruto's words, &quo